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In the early 19th century, the Napoleonic invasion and the subsequent Peninsular War caused much suffering in Ronda, whose inhabitants were reduced from 15,600 to 5,000 in three years. Ronda's area became the base first of guerrilla warriors, then of numerous bandits, whose deeds inspired artists such as Washington Irving, Prosper Mérimée, and Gustave Doré. In the 19th century, the economy of Ronda was mainly based on agricultural activities. In 1918, the city was the seat of the Assembly of Ronda, in which the Andalusian flag, coat of arms, and anthem were designed. Ronda's Romero family—from Francisco, born in 1698, to his son Juan, to his famous grandson Pedro, who died in 1839—played a principal role in the development of modern Spanish bullfighting. In a family responsible for such innovations as the use of the cape, or muleta, and a sword especially designed for the kill, Pedro in particular transformed bullfighting into "an art and a skill in its own right, and not simply a clownishly macho preamble to the bull's slaughter."
Ronda was heavily affected by the Spanish Civil War, which led to emigration and depopulation. The scene in chapter 10 of Hemingway's For Whom the Bell Tolls, describing the 1936 execution of Fascist sympathisers in a village who are thrown off a cliff, is considered to be modeled on actual events of the time in Ronda. Ronda is situated in a mountainous area about 750 m above mean sea level. The Guadalevín River runs through the city, dividing it in two and carving out the steep, 100-plus-meter-deep El Tajo canyon above which the city perches. The Spanish fir is endemic to the mountains surrounding Ronda.
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